The work chosen for the second monthly discussion is one of Bach's most famous and most frequently recorded keyboard works,the Italian Concerto published in 1735 as part of the second volume of Bach's Clavierubung (Keyboard practice) with the French Overture BWV 831 (Contributors might well want to consider both works together : that was clearly Bach's intention.) Enter your email address to follow this blog and receive notifications of new posts by email. The virtuosic Italian Concerto, which features some of Bach’s most exuberant keyboard writing, is one of his great, single works. The tempo is marked as allegro, or quick. What concerns prompted the composer’s mixing of styles or genres? The subjects of their letters has long been a tantalizing mystery to Bach scholars, as the letters were subsequently used as lids for jam pots and thus destroyed. Music for a Mixed Taste The opening of the Andante from the Italian Concerto, First edition, 1735, The opening of Variation 13 from The Goldberg Variations, First edition, 1741. Reply. ( Log Out /  Exactly what I needed. An Analysis of Bach's Italian Concerto Published in 1735 PAGES 2. For the deeply religious Sebastian, his compositions in three parts are often intentional reflections, meditations, or appeals to the Trinity, the three-part nature of the Christian God, and it is this aspect of Sebastian’s personality that comes through in this movement, despite the apparently secular mood of the concerto. Learn how your comment data is processed. ~ Steven Zohn Sonatas and Sonata Movements, BWV 963–970; BWV 963 — Sonata in D major; BWV 964 — Sonata in D minor (arrangement of BWV 1003) BWV 965 — Sonata in A minor (after Reincken) BWV 966 — Sonata in C major (after Reincken) BWV 967 — Sonata in A minor; BWV 968 — Adagio in G major (arranged from 1st movement of BWV 1005) BWV 969 — Andante in G minor (doubtful) BWV 970 — Presto in D mi The French Overture is the longest keyboard suite that Sebastian ever wrote. When Sebastian composed the Italian Concerto, did he cast a look back over the transcriptions he had made in Weimar twenty years earlier, and decide to try his hand at writing a concerto for keyboard alone that wasn’t an adaptation of an existing composition for soloist and orchestra? Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. From 1708 – 1717 Sebastian worked for Duke Johann Ernst III in Weimar, initially as organist, and later assuming responsibilities as Konzertmeister for the court in 1714. WORDS 459. Concerning the Bach Italian Concerto, 1st Movement, what fingering do you recommend for the LEFT HAND 16th notes in measures 25 and 26? :p Robert - host, on April 4, 2014 @12:59 pm PST. After slowly making my…, Dear Friends, I’ve taken some time away from posting to Off The Podium. Since Couperin had died two years before Clavier-Übung II was published, it is possible that in his own way, Sebastian also intended the volume as an homage to Couperin himself – or as a rebuttal or commentary on the various merits of each style . Title: Italian Concerto [BWV 971 (Op.2)] Author: Bach, Johann Sebastian - Publisher: Leipzig: Breitkopf & Härtel, (1853). Thank you. *       *       * As protests erupt in cities across the…, This article posted today, April 21, 2020, on my ChoralNet blog. The second movement, Adagio, begins in C sharp minor with a pretty constant bass repeating its rhythmic pattern to maintain the somber change in character of the work. Home » Music » Baroque » The Italian Concerto. Comments; Arrangement for 2 Bb trumpets, F horn and trombone or tuba. The Italian Concerto, BWV 971 (Concerto nach Italienischem Gusto), was published in 1735 as the first half of Clavieruebung n.2, along with the Overture in French style. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Wow. For instance, the Allegro was given an ABA structure, like most of the Baroque arias, whereby the first section returns with great embellishment after a contrasting second section. Although Sebastian and Couperin never met, they corresponded with each other. Sebastian retains the dramatic contrasts between solo and ensemble developed so skillfully by the Italian masters, and injects the form with his own compositional obsession, counterpoint. J S Bach Brandenburg Concerto No.4 in G First Movement (Allegro) (For Unit 6: Further Musical Understanding) Before turning to the academic study of this movement, let us forget for a moment that it is the first work in an Anthology for examination students. Bachfest Leipzig 11.06.2010. https://www.youtube.com/playlist?list=PLhIP1CNbYhVObXv7ByHmE5oETjj6RXyAN00:0303:44 - … An Italian concerto relies upon the contrasting roles of different groups of instruments in an ensemble; Bach imitates this effect by creating contrasts using the forte and piano manuals of a two-manual harpsichord throughout the piece. Plate B.W. The Italian Concerto has become popular among Bach's keyboard works, and has been widely recorded both on the harpsichord and the piano. It is a three-movement concerto for a two-keyboard harpsichord (one of the few works by Bach requiring a two-keyboard harpsichord, in order to create a 'forte' and 'piano' effect). The Italian Concerto, however, stands alone. Get over it. To my ear, among Sebastian’s other works for solo keyboard it is Variation 13 from The Goldberg Variations – which were published 6 years later as Clavier Ubung IV – that most closely resembles the Andante from the Italian Concerto. An instance of this integration occurs in his acclaimed Concerto nach Italienischen Gusto (“Concerto in the Italian taste”), otherwise known as the Italian Concerto, BWV 971. It is unique among Sebastian’s compositions: a concerto in the Italian style for solo keyboard, without orchestra. 3 (The Harmonic Inspiration) was published in Amsterdam in 1711. The third and final movement of Bach's Brandenburg Concerto No.5 is a fast and lively dance. The Italian Concerto and the French Overture are, in many ways, “opposed” works and very different from each other. Sebastian wrote many of these “French Suites”, including 6 Partitas, 6 “English” Suites, and even 6 “French” Suites for keyboard; 6 Cello Suites; 3 Partitas for violin; 4 Orchestral Suites : all of these are suites in the French style. In 1721 all kinds of preposterous news each other, they corresponded each... ’ s catalog many ways, “ opposed ” works and very different each. 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